Ryan Shade’s new single, “I’m Just Gonna Be With You”, is a disco house and pop house track scheduled for release on Music Advisor Recordings. It leans into a familiar club sound without feeling overloaded: a steady house pulse, disco-leaning bass, guitar touches, and clean synth parts keep the song moving. For listeners looking for new disco house music with a pop edge, this Ryan Shade release sits comfortably between a late-night dance track and an easygoing party record.
The title, “I’m Just Gonna Be With You”, gives the song a direct, uncomplicated mood. That simplicity suits the production. Rather than chasing dramatic drops or constant changes, the track stays close to its central groove. The result is music built for movement, whether it is playing through headphones on the way out or over speakers at a small gathering. Ryan Shade keeps the focus on rhythm and atmosphere, which gives the single a relaxed confidence.
Ryan Shade's disco house sound
“I’m Just Gonna Be With You” starts with purpose. The beat comes in early, so there is little waiting around for the song to settle into place. Its four-on-the-floor rhythm gives the track its dancefloor foundation, while the pop house side of the arrangement keeps the tone accessible. It is not trying to imitate a classic disco record note for note. Instead, it uses disco house details in a modern electronic setting.
The bassline carries much of the weight. It has the bounce listeners expect from disco house, but it does not dominate every part of the mix. Guitar riffs add a human texture against the programmed drums, and the synths bring a crisp finish that suits contemporary pop dance music. These elements could have competed with each other, but they are arranged with restraint. The groove remains easy to follow, even when several parts are playing at once.
That balance matters in a track like this. Disco house can become busy when every fill, vocal chop, and synth line asks for attention. Ryan Shade takes a cleaner route on this single. The arrangement has enough detail to avoid sounding flat, yet the rhythm stays in front. It is a sensible choice for a dance song. People do not need to study the production to understand where the beat is going.
A pop house track for late-night playlists
There is an easy late-night feel to “I’m Just Gonna Be With You.” It fits the sort of rooftop party where the room is crowded, conversations overlap, and the music is loud without taking over every moment. The song also works for a house party playlist, a weekend drive, or the part of a DJ set that needs to keep people moving without pushing the energy into overdrive. Its mood is upbeat, though not overly sweet or forced.
The pop house influence makes the track useful beyond a strict club context. The production is polished and direct, and the melodic elements give casual listeners something to hold onto. At the same time, the house rhythm does not disappear behind a pop structure. That mix is often difficult to get right. Too much pop can soften the groove; too much club detail can make a song feel distant. Ryan Shade lands closer to the middle, with a track that is friendly but still rhythm-led.
For fans of disco-inspired electronic music, the appeal is in the small decisions. The guitar does not feel pasted on for nostalgia. The bass has movement but leaves space. The synths sound clean rather than oversized. Each part supports the same idea: keep the momentum steady. There is no need for a huge statement when the beat already does its job.
“I’m Just Gonna Be With You” keeps the groove clear
Ryan Shade’s production on this disco house single is strongest when the arrangement stays uncluttered. The parts connect naturally, and the song avoids the stop-start structure that can make dance music feel mechanical. Its energy builds through repetition and small shifts in texture rather than abrupt turns. That approach gives listeners time to settle into the rhythm.
The track’s clear structure also makes it easy to picture in different settings. It can sit in a pop house playlist beside lighter electronic tracks, but it has enough disco pulse for a dancefloor-focused set. The song does not demand a particular mood from the listener. Put it on while getting ready to go out, during a casual evening with friends, or when a playlist needs a little more lift. It adapts without losing its character.
With “I’m Just Gonna Be With You,” Ryan Shade delivers a focused disco house track that values groove over excess. Music Advisor Recordings is set to release the single, bringing together pop house polish, disco-style basslines, guitar riffs, and electronic production in one compact track. The rhythm stays clear, the mood stays light, and the song knows when to leave space.
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