Andrej Meyer's single "Chroma," released on Music Advisor Recordings, blends melodic techno with acid techno, creating a sound that is both warm and suitable for club systems. The track distinctively uses a TB-303-style acid line for a more tuneful purpose, challenging the notion that techno must be monochrome. Meyer explains that "Chroma" reflects the chromatic spectrum in sound, with each element crafted to represent a different hue in the auditory palette.
Techno is often linked with concrete rooms, strobe lights, and machine-like repetition. Yet the genre leaves plenty of room for melody. On โChroma,โ Andrej Meyer uses an acid techno foundation to build something warmer and more melodic without losing the pressure that works on a club system.
On his new single โChroma,โ electronic producer Andrej Meyer works with color, movement, and carefully shaped synth tones. The result sits between melodic techno and acid techno, with enough detail to reward close listening.
Released on Music Advisor Recordings, a sister label in the Klangspot family, โChromaโ brings together a TB-303-style acid line, layered synthesizers, and a steady electronic dance music rhythm. The Roland TB-303 is closely tied to acid house, rave music, and early techno, but Meyer uses its elastic, resonant character for a more tuneful purpose.
The track pairs its acid sequence with spacious synth layers and a firm club beat. It has enough weight for a late-night techno set, though it also works away from the dancefloor. That balance is not always easy to get right. Here, the melodies give the rhythm somewhere to go.
What โChromaโ means
The title โChromaโ comes from the Greek word for color. In music theory, the chromatic scale contains all twelve pitches, so the name fits a track built around changing tones and shifting harmonic shades.
For Andrej Meyer, the title describes the role of each sound in the arrangement rather than a fixed visual idea.
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โItโs a reflection of the chromatic spectrum in sound โ each element carefully crafted to represent a different hue in the auditory palette,โ says Meyer.
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โChromaโ challenges the assumption that techno needs to remain monochrome or purely functional. Meyer gives harmony real space beside the rhythm. The synthesizer carries melody, tension, and texture, not simply percussion. As the arrangement moves forward, its tone and intensity change in measured steps instead of relying on abrupt drops.
How the track is built
โChromaโ combines an acid sound with clean modern techno production. Its appeal comes from the friction between those elements: a restless bassline below, softer melodic material above, and drums that keep both parts moving.
What is the acid line in 'Chroma'?
The acid bassline drives the track and gives this melodic acid techno release its bite.
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The line has the familiar squelch, glide, and resonance associated with the TB-303 sound, whether Meyer used original hardware, a software instrument, or another emulation. It carries the physical, slightly unstable quality that listeners expect from acid techno.
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Rather than using the chaotic dissonance heard on some 1990s acid records, Meyer keeps the sequence melodic. Slow adjustments to the cutoff frequency and resonance move it from a low growl toward a brighter lead sound. The pattern does not feel stuck in a loop. It keeps changing shape while the rhythm holds steady.
What are the melodic layers in 'Chroma'?
Synth pads sit above the acid line and take some of the hard edge off its sharper frequencies.
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These pads are wide and reverb-heavy, giving the track much of its emotional pull. The bassline keeps the body moving, while the pads leave air around the beat. That contrast places โChromaโ close to the melodic techno sound associated with artists such as Tale Of Us and Ben Bรถhmer, although the acid sequence keeps it rougher and less polished around the edges.
How is the rhythm structured in 'Chroma'?
The drums are plainspoken and built for the club. They do not demand attention, which is part of why the synth work can breathe.
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The track appears to sit around 124-128 BPM, a melodic techno tempo range that leaves room for drive without rushing the melodic changes. The kick stays firm in the mix, but it does not bury the acid line or the pads. DJs looking for techno that can bridge tougher material and more atmospheric records may find that restraint useful.
Andrej Meyer
Andrej Meyer approaches techno through sound design and an interest in vintage synthesizer character. โChromaโ makes that approach easy to hear. The notes matter, but the way each note changes matters just as much.
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His production gives timbre as much attention as melody. On โChroma,โ the feeling comes partly from the shifting texture of the acid line: filter movement, resonance, and the changing relationship between the bassline and the pads all affect the mood.
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Meyerโs sound draws from rave-era acid music while using the clarity expected in current electronic music production. There is nostalgia in the TB-303 language, but the record does not try to copy an old acid house track. It has a cleaner low end and a more gradual emotional arc.
Melodic acid techno
Melodic acid techno uses the expressive movement of acid synthesis in tracks led by harmony, atmosphere, and repetition. It can retain the tension of a classic 303 sequence without turning every phrase into distortion or abrasion.
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Acid house emerged in the 1980s with a raw, stripped-back sound built around the Roland TB-303. Its sliding notes, resonant filter sweeps, and repeating patterns became part of the genreโs identity.
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Many electronic music producers now use the same acid sound for melodic writing. โChromaโ follows that route. It keeps the TB-303-style character intact, while the melody and atmosphere carry much of the trackโs emotional weight. The record suits headphones as well as a dark club room, though those listening contexts reveal different details.
Where it fits
โChromaโ changes character depending on where and how it is played. Its steady structure makes it practical, but its smaller tonal details keep it from feeling purely functional.
How does 'Chroma' fit into a late club set?
For DJs, it can work as a transition record in a late-night techno set.
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It has enough force to maintain momentum, while the melody can ease a move from harder techno toward more trance-leaning or melodic material. It is not an all-out peak-time tool. That middle space is often more useful than producers admit, especially when a set needs tension without a full reset.
Is 'Chroma' suitable for focused work?
The repetition may also suit listeners who concentrate well with instrumental electronic music in the background.
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The acid loop creates a consistent pattern that can sit behind coding, design work, writing, or other tasks that benefit from a steady pulse. Meanwhile, the filter changes and melodic shifts stop the track from becoming flat. It is focused music, though listeners who need complete silence will understandably feel otherwise.
Why is 'Chroma' suitable for a night drive?
The track has a cinematic quality without reaching for oversized drama.
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Its rhythm fits the motion of driving through a city after dark. Streetlights, passing signs, and the slow rise of the synth line move at a similar pace. The effect is less about escapism than momentum: the beat keeps pushing ahead while the melodic elements slowly open up.
Music Advisor Recordings
โChromaโ joins the catalog of Music Advisor Recordings.
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The label releases electronic music that pays close attention to production detail and club usability. โChromaโ fits that approach, but its acid elements remain central rather than becoming background texture.
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The release places Meyer alongside other artists in the labelโs roster and adds a melodic acid techno record to its 2026 output. It is a sensible fit for listeners searching for new techno releases with both a driving rhythm and a melodic hook.
How does 'Chroma' bring color and emotion to techno?
Techno can sound mechanical by design, but machines can still carry feeling. Andrej Meyer uses that tension effectively on โChroma,โ allowing the trackโs precise programming to coexist with a more human sense of lift and release.
โChromaโ takes a familiar acid techno sound and gives it a wider emotional range. The bassline remains physical and insistent. Around it, the synth layers gradually open, changing the mood without breaking the trackโs forward motion.
Turn it up and listen to the resonance changes. Much of the trackโs personality is there, in the moments when the acid line tightens, brightens, or pulls back.
Stream โChromaโ by Andrej Meyer on Spotify, Apple Music, and other major streaming platforms via Music Advisor Recordings.
Release details
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Artist: Andrej Meyer
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Title: Chroma
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Label: Music Advisor Recordings
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Genre: Melodic acid techno / electronic / techno
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Key elements: TB-303 acid lines, melodic synths, driving rhythm
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Mood: Euphoric, hypnotic, colorful, futuristic
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Quote: โA reflection of the chromatic spectrum in sound.โ
Who may enjoy it
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Listeners who enjoy acid techno may appreciate the TB-303-style sequencing, controlled filter movement, and persistent low-end pressure.
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Listeners drawn to melodic techno may connect with the wide pads, gradual harmonic lift, and slower changes in intensity.
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It also suits a late-night drive, particularly when the city is quiet and the volume is up.
Music Advisor Recordings releases โChromaโ at the meeting point of acid pressure and melodic atmosphere, with a track that works best when its details are allowed to unfold.
