During the late 1990s and early 2000s, European electronic music often moved at a slower, more spacious pace. Many producers shifted away from the relentless drive of underground techno and trance, working instead with relaxed breakbeats, jazz samples, dub basslines, and arrangements shaped by the atmosphere of film soundtracks.
That shift helped define the sound associated with European lounge music, nu jazz, downtempo, and trip-hop. Hip-hop rhythms met jazz improvisation, while bossa nova, soul, and dub brought warmth and looseness to the records. This was music for attentive listening as well as dancing: at home, in a bar, or late at night through headphones.
Phazz-a-delic belongs closely to this strand of electronic music. Its releases bring electronic production together with jazz, bossa nova, dub, pop, and occasional spoken-word fragments. The catalog suits cafes, lounges, radio programs, and long after-hours listening sessions. The Phazz-a-delic New Format Recordings Label Showcase playlist gathers that catalog on Spotify.
The selection is a useful starting point for listeners looking for a long-form De-Phazz Spotify playlist, German nu jazz, lounge electronica, or downtempo jazz with more breadth than a short mood playlist. Familiar tracks are present, alongside projects that sit beyond the usual De-Phazz entry points.
A digital Phazz-a-delic discography
Turning a label’s history into a streaming playlist requires more than collecting a few familiar songs. A catalog of this size includes releases from different years, remixes, alternate versions, side projects, live recordings, and tracks first issued in limited physical formats. Those details matter when the aim is to present the music fairly.
This Phazz-a-delic discography playlist includes deep cuts, B-sides, vinyl-era material, and better-known releases. It functions as both a listening queue and a practical archive of European downtempo music. Rather than reducing the label to “The Mambo Craze” and a few related songs, it keeps the less obvious material in view.
Several tracks recur in different versions, and that is intentional. A remix, radio edit, instrumental, dub version, or live take can alter a song’s mood completely. Listeners who only want the hits may find the sequence extensive, but anyone interested in the label’s output will find useful context in those variations.
The size of the archive
Klangspot Recordings curates the public playlist, which contains 647 songs.
The full Phazz-a-delic catalog runs for 39 hours and 40 minutes. It is far longer than most algorithmic lounge playlists, many of which begin to repeat after a few hours. This one can cover a workday, a long drive, or an all-evening venue set without returning to the same material too quickly.
The overall mood remains consistent: mid-tempo beats, soft brass, sampled voices, bass-heavy dub passages, and jazz phrasing. Yet it avoids becoming anonymous background music. The catalog moves into children’s music, seasonal tracks, acoustic projects, big-band recordings, pop covers, and more abstract instrumental pieces. Over nearly 40 hours, those changes give the sequence welcome contrast.
The musicians behind the catalog
Phazz-a-delic’s sound comes from the musicians, producers, and vocalists heard across its releases. The playlist features several artists who shaped the German and European nu jazz scene, especially through their work around De-Phazz.
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Pit Baumgartner & De-Phazz: Pit Baumgartner led the label and De-Phazz. His productions combine cut-up jazz samples, bossa nova rhythms, dub, and dry cinematic dialogue. That mix defines much of the catalog and helps explain why De-Phazz is associated with lounge, nu jazz, and trip-hop rather than a single fixed genre.
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Joo Kraus & Fola Dada: Joo Kraus adds muted, at times melancholy trumpet lines to electronic arrangements. Fola Dada’s vocals bring a soulful pop-jazz presence that gives many tracks a clear melodic center. Their contributions will appeal to listeners who prefer vocal jazz electronica.
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Frankfurt Radio Big Band: The Frankfurt Radio Big Band recordings reveal another side of the catalog, placing electronic production beside full acoustic ensemble arrangements. The contrast shows that the label did not remain within one lounge-music formula.
Other names in the playlist, including Ukulele Dub Society, Quicksand, Baldu, Fliederkind, Tubilah, Jeanne Crémer, and Pit Baumgartner as a solo artist, broaden the picture. Some projects lean towards dub and covers; others move into German-language pop, singer-songwriter material, or instrumental beat music. Together, they make this more than a De-Phazz collection.
Distribution and streaming access
The playlist cover identifies Klangspot Recordings as the distributor of the Phazz-a-delic catalog. Its availability on streaming services gives listeners access to material from the late 1990s, the 2000s, and later releases without having to search for individual CDs or vinyl records.
Streaming cannot replace original releases for listeners who value artwork, liner notes, and album sequencing. It does make a large portion of this European lounge and nu jazz catalog easier to hear in one place. For a label with many remixes and scattered side projects, that access is particularly useful.
Listening to the playlist today
The playlist has historical interest, but it also works easily in the present. Phazz-a-delic’s mid-tempo drums, rounded basslines, trumpet parts, and jazz textures suit long listening sessions. The music rarely demands the same focused attention as club tracks, while still offering enough detail for closer listening.
For work or reading, many tracks can remain in the background without the sharp, repetitive edges common in dance music. In coffee shops and bars, the playlist offers hours of programmed music with a recognizable identity. It will not fit every room or mood: some listeners may find the smoothness too controlled, while others will enjoy the movement between dub, jazz, pop, and easygoing electronic grooves.
It is particularly suited to listeners seeking relaxed electronic music with jazz influences, a long lounge playlist for work, or a broad introduction to De-Phazz and related artists. Start anywhere and follow the tracks that hold your attention. The catalog is too large to take in during one sitting.
The archive
The Phazz-a-delic New Format Recordings Label Showcase collects a substantial body of music from the European lounge and nu jazz period. Longtime listeners can return to familiar De-Phazz material, while newer listeners can hear remixes, side projects, live recordings, instrumentals, and less obvious releases around it.
The Spotify playlist runs for nearly 40 hours and contains 647 songs. It begins with the tracks below, then moves through the broader Phazz-a-delic and Klangspot Recordings catalog.
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